Creative Commons

Dear Friends,

We have had many conversations around holding our ideas secret for fear of someone taking our ideas as their own.  For those who choose to participate in having an online presence (blog, website, facebook, LinkedIn, Twitter, etc etc), this really cuts to the heart of why have an online presence at all.  Why put one’s ideas out there if anyone can come along and just swipe it, publish it, and make a million bucks?  Well, we here at Laura Two Tina, believe that it is very rare that someone would do this.   We really do believe there are more good people than bad.  This is a difficult mantra to maintain some days given how the media bombards us with negativity, but we are determined to keep our positive wits and attitude about us. Most importantly, we believe that our work is worthy of sharing with you all here.   Going back to our original thought of protecting our collaborative ideas we have thought about copyrights, and then we found an even better answer with Creative Commons. We feel strongly that this is more in tune with the current digital culture and most importantly with our personal goals for collaboration.

Check out this video as an introduction. To quote from their website:

Creative Commons has released “A Shared Culture,” a short video by renowned filmmaker Jesse Dylan. Known for helming a variety of films, music videos, and the Emmy Award-winning “Yes We Can” Barack Obama campaign video collaboration with rapper will.i.am, Dylan created “A Shared Culture” to help spread the word about the Creative Commons mission.”

In the video, some of the leading thinkers behind Creative Commons describe how the organization is helping “save the world from failed sharing” through free tools that enable creators to easily make their work available to the public for legal sharing and remix. Dylan puts the Creative Commons system into action by punctuating the interview footage with dozens of photos that have been offered to the public for use under CC licenses. Similarly, he used two CC-licensed instrumental pieces by Nine Inch Nails as the video’s soundtrack music. These tracks, “17 Ghosts II” and “21 Ghosts III,” come from the Nine Inch Nails album Ghosts I-IV, which was released earlier this year under a Creative Commons BY-NC-SA license. (See attribution details at this link)

 

SO, yes we do own all the ideas on this website under the standard copyright laws, but we are allowing some wiggle room for you to try out some of our ideas with your own flavor.   Here is what our Creative Commons License indicates (check out our button on the right hand margin of this page):

We hope this clarifies for you who we are and what we hope to be for you.  We hope that more people collaborate, share, and co-create and we see this bit of legalize as a way of allowing for that.  Please let us know if anything on our blog inspires you to do a similar project of your own with another person and we would like to give you a dedicated blog post.  We would really enjoy seeing how you may have folded our ideas into yours.

 

In collaboration,

Tina and Laura

 

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MAKING THE MARK: THE WORK OF THE STONINGTON PRINTMAKERS SOCIETY

Monotypes by Sadie DeVore (l) and Mara Beckwith (r), Society Co-founders.
Monotypes by Sadie DeVore (l) and Mara Beckwith (r), Society Co-founders.

Please Join Us! I will be exhibiting 5 monotype paintings in this exhibit along with many diverse, talented artists. I have had a sneak peak at the work and guarantee you will not be disappointed! The exhibit is held in the Converse Gallery at the Norwich Free Academy. I would LOVE to see you at our opening reception! If you have never been to the NFA and the Slater Gallery you are in for a treat as their collections are expansive, informative gems.

The reception for the artists, friends and the public will be held

Saturday, December 5, 2009 from 1:00 p.m. to 4:00 p.m.

The reception is open to all and free with museum admission. Light refreshments will be served. Click here for directions to the museum.

Printing demonstrations will be held:

Saturday, December 5, 2009 (The day of the opening!!!)

Sunday, January 10, 2010 &

Sunday January 17, 2010

Hope to see you there! ~Laura

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FAQ #1

You Ask….We Answer…

Frequently.Asked.Questions

Laura and Tina are starting a series of question and answers about our individual studio practices.  Feel free to ask us questions as well and we will make sure we answer them.  For now we are asking the questions to one another.  The teachers in us are often feeling the need to share, explain, discuss and assess all that we have learned.  We can’t help it…this is what all these years of being educated and being the educator has done to us.  So, excuse us while we scratch the teaching itch!

Not only will we be talking about what it means to be an artist, but also all the juicy good stuff about what materials we are using, why we like them, stumbling blocks and triumphs we may come across.  Of course we have a vested interest in doing such an exercise as it will help us mean what we say and say what we mean.

Our first FAQ is:  What art materials are you using in your studio today?

Laura Gaffke, monotype on paper, 8 x 8 inches

Hi Tina~

As you know I use many different materials in my studio and am always looking for ways to challenge my thinking, widen my scope of learning, yet stay true to the thoughts and ideas that are central to my work. I was recently asked to try monotypes for a wonderful art exhibit at the Slater Museum in Norwich, CT. I first learned about monotypes while taking a class with Mara Gillen Beckwith the owner of Studio M when I first move to CT.  A monotype is a printmaking process where you paint on a plastic or glass plate and transfer the image onto paper. It may seem like a simple process, but I can guarantee it is much more challenging than you might think, but FUN! I wasn’t sure I loved the technique at first because the paint does not transfer to the bright palette I normally love and the color of the images transfer much softer than my vivid watercolors, but I have grown to love the process. I allowed this series of monotypes to be meditations on my  day. The imagery on the paintings are abstract because how I feel cannot often be translated into words. I have given them titles to allow the viewer a glimpse of my inner guidance. The image above is one of five on exhibit at the Stater Museum from Novemeber 22, 2009 until January 29, 2009. The opening reception is on December 5th from 1-4pm. I wish you were here to see it and would welcome anyone who might be in the area to join me. I would love to know what you think, share the artwork with you and see your smiling faces.

xoLaura

TINA

In my studio I primarily create collage and assemblages.

In my collage work, the main material I work with is paper.  The types of paper I am using now are: hand made paper, paper found on the streets, receipts, magazines, newspapers, old Sears catalogs from the turn of the century, maps, color copies of photos I have taken, notes, drawings, vintage postcards, sheet music, notes from the boys school, watercolor paper, homework, mail, etc.   These papers mixed, cut, torn, and glued are the ingredients to my collage work.

In my assemblage work I use a variety of objects such as rusty metal, shells, antique kitchen utensils, game pieces, stones, sand, sawdust, branches, mirrors, yarn (knitting), and the list could go on.  I use anything that might express the idea I am getting at in a particular piece of art.

I often incorporate image transfers into these collage and assemblages.  These images may be photos I have taken, digitally altered images, or drawings I have created.  The material I swear by for this process is Golden Matte Medium.  To read directions for an image transfer click HERE.

Here is an example of my work using this method of image transfer.  This will take you to my website, where you will see more of my collage and assemblage work.

www.tinahirsig.com

I am currently updating the information on this page, so check back in a week or so when I launch that.  It outlines my plans for 2010.

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